CV

PERSONALIA
Inge Reisberman (NL, Almelo, 1959)

EDUCATION
AKI Academy of Art, Enschede, painting, 1984-1989

2021
05-06/12-09: Rijksmuseum Twenthe – ‘Na de jacht’
24-06/24-08: De Utrecht, Leeuwarden, video
02-07/01-10: Provinciehuis Haarlem – ‘Counterpart’
10-07/09-08: De Vishal Haarlem – ‘Slow Movements’
16-07/30-11: Commision Amnesty Leiden – ‘Our Daily Bread’
August: Old School Leiden – ‘Dubbelportret’

SELECTION PRESENTATIONS/SHOWS
(most group shows)

2020 Le Guess Who, international video broadcast
2020 Marksteeg10 – Leiden – ‘ELF’
2020 De Meelfabriek – Leiden – première ‘Closing Time’
2020 Art-Gallery O-68 – Velp – ‘Noise Reduction’
2020 Kadmium – Delft – ‘Metamorphosis’
2019 Rijksmuseum Twenthe – première ‘Respice Finem’
2019 De Vishal – Haarlem – ‘Continuüm’
2017 Museum De Lakenhal/LUMC galerie – ‘Natuurlijk’
2017 WTC Gallery/Oscar cinema – R’dam – ‘Hemisfeer’
2017 Rijksmuseum Twenthe – Collectie Wilploo
2017 Lisfe Short Film Experience – ‘Dialogue#1’
2016 Rijksmuseum Twenthe – Collectie Wilploo
2016 Lisfe Short Film Experience – non-objective videos
2016 This Art Fair- Amsterdam – ‘Natures Mortes’
2016 Lowlands/Museum De Lakenhal – YAFKA cinema
2015 Stedelijk Museum Schiedam – Collectie Wilploo
2015 De Meelfabriek – première ‘Natures Mortes’
2015 Galerie 37PK – Haarlem – Masterclass 3D results
2015 KCB/Kranenburgh – Bergen – ‘KCB & de Hallen’
2014 Museum De Lakenhal – ‘The Big Draw’
2014 Berlijn – ‘2014 Project Berlin’ – video
2014 Pulchri GrafiekBiënnale – XXL video on print
2014 Zandvoorts Museum – ‘The Elements’ – videos
2013 Museum De Lakenhal/De Meelfabriek – Leiden
1989 – 2011 Painting and photography. From 2011 focus on video and video installations.

ABOUT
Inge Reisberman (Almelo, 1959) graduated from the AKI Academy of Art in Enschede. She lives and works in Leiden (NL).

Her work covers the fields of animations, video, video installations, ranged in the ‘slow cinema’ area. Her videos are about perception of time and space and are often based on biblical themes. In longshots she uses substances like flour, salt and water, mostly in an industrial environment. She usually works in series, taking time to connect the substances to the narratives she wants to reveal.

Her video installations are characterized by a balanced relationship between poetry and rawness, between craftsmanship and imagination, in which content and environment come together in a conceptual and sensory way.

The carefully constructed accompanying sounds boost the intense experience of the film in a subtle, but present way. The videos take the viewer into a state of utter concentration and are enchanting in their simplicity.
(text about videoseries Natures Mortes: Museum De Lakenhal)

WORK ACQUIRED BY
Museum De Lakenhal
https://www.lakenhal.nl/en/story/acquisition-video-triptych-inge-reisbermann

Rijksmuseum Twenthe
https://www.mondriaanfonds.nl/gehonoreerd/hedendaagse-kunst-in-de-collectie-van-rijksmuseum-twenthe/
https://www.rijksmuseumtwenthe.nl/content/2434/nl/inge-reisberman-respice-finem

‘De Utrecht’, Leeuwarden
https://deutrecht.frl/interacties/toevoegingen/

Collectie Wilploo
https://www.rijksmuseumtwenthe.nl/content/954/nl/ingrid-blans-schenkt-opnieuw-aan-rmt

Collectie DUO, collectie Vrijdag, private collections

PUBLICATIONS
Pandora Art Magazine
Amsterdam Art Magazine
Collection book DUO
Book Collection Wilploo Kunst uit Huis – Stedelijk Museum Schiedam
Allart Lakke Uit oog- en oorhoeken
Michael van Hoogenhuyze – Essay about Respice Finem
Hendrik van Leeuwen for Kadmium Delft Metamorphosis
Walter Koemig, book exhibition ELF